| Author | Message | ||
  Johanna |
sites, that is. | ||
Johanna |
OK..I have checked several websites (Frametek, Frame Plus, Accent Art+++) and understand the terms and processes (drymounting, floating etc.). The floating method (foam core smaller than paper) would obviously be for deckle edge. I now think I will have a professional do this, but I still want to know experience others have had re. watercolors which are not mentioned on these sights. ...thanks. | ||
Johanna |
I have some watercolor paintings on heavy "rough" deckle edge paper, some rectangular, some round, and would like to know about spacers, drymounting, floating (I am not yet famiar with these terms). I have checked the Daniel Smith catalogue and your postings, but I am still not clear about the various options. I have not decided whether I would frame them myself, so would appreciate any info about what are the "challenges', possible problems, etc. ....love this artist chat...I have learned so much! | ||
midnight_baseball |
from the daniel smith catalog - p. 189 frame without a mat AIRSPACE (formerly Econospace) is an acid-free plastic spacer that allows you to frame artwork without a mat and still provide breathing space. It acts as a support for the artwork by preventing it from resting on the glass. Airspace attaches directly to the glazing material with a light adhesive on one side. It fits all our wood and metal frames. Any thickness of glass or Plexiglass can be used. This method relies on an acid-free pressure-sensitive adhesive for its permanence. You can expect some movement in your frame with this method, as most glass is slightly smaller than the frame for ease of assembly. One edge of Airspace has been satin finished to reduce glare. Two styles are available, offering 1/4" or 1/8" breathing space. A bundle of Airspace 125 (1/8")contains twenty 5-foot lengths. A bundle of Airspace 250 (1/4") contains twelve 5-foot lengths. | ||
marie |
I believe that drymounting is not generally recommended for original works of art because the process is not reversible. (If you are still interested in drymounting, most professional framers are able to do it.) Mounting with linen tape is a much better alternative. Technically, you are supposed to put two hinges at the top of the page. The work should hang freely from the two top hinges. I have often found, however, that I have to add a small hinge at the bottom, even though it is not considered a good practice. By the way, linen tape should be available from most art supply stores. | ||
Limona |
Can anyone give me tips on this type of mounting--do's and don'ts --(Thanks for the source). | ||
Robert |
E-mail them for a retail source near you spacers@frametek.com | ||
Robert |
Here's one answer for Q.#1: FrameTek: http://www.frametek.com/ all the best, R. | ||
Limona |
I would like to begin mounting my watercolors on top of the mats rather than behind cut mats. I recall reading somewhere that you need to put spacers between the glass/acrylic and the matboard to create room for the painting so it won't be touching the glass. I have three questions: 1. Where does one purchase these specific spacers? 2. I also wonder if there is a place where one can pay to do drymounting. 3. The other option to drymounting is to use archival linen tape which I would like to know where to purchase. Thanks in advance-- |
